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June 28, 2007
Numerology: When You're Twenty-One, You're No Fun? A Rebuttal...

by David Klein
Twenty-one is the name of a popular card game and the number of shots in a famous “gun salute,” but no good song has ever been written about either of those things. To most westerners the number 21 signifies the age of 21, and a number of songs have been written on that subject. After all, reaching the age of 21 is a very specific plateau for human beings in these parts—full-fledged adulthood. It’s no surprise that there is no shortage of songs with 21 in their titles, but what song truly captures the essence?
Clearly one of the most luminous mentions of 21 in pop music occurs in the Who’s “1921,” a song that pretty much sends the whole Tommy story into orbit with one little line: “What about the boy?/He saw it all.” The song begins with a stirring, hopeful melody, and then Pete Townshend comes in, proclaiming, “Got a feeling twenty-one is gonna be a good year.” Nevertheless, it is my sad task, dear Who fanatics, to point out that, as angelically as Pete pronounces the numeral in question, “1921” is ineligible to vie for the 21 spot because of the 19 Rule, i.e., that year songs (e.g., “1999”) cannot shrug off their nineteen-ical moorings and declare themselves a shorter, more-convenient-for-this-list number. One thousand nineteen hundred twenty one? The Who owns it like a pair of tight pants that fit only the collective Who (just imagine such a splendid pair of pants for one second, will you?) but this number needs to be won, and won decisively.
I love “Tram 21” by Electrelane. Sounding a sonically Stereolab-like note, it rolls along a solid rhythm track, emitting long blasts of farfisa organ, and slowly building up a head of steam so that by the time the soaring vocals come in, we imagine some kind of party-train caravan traveling through purple mountains. We also envision the number 21 emblazoned on a tattered flag that flickers in the breeze, but envisioning the number is not the same as having it mentioned in the song. And it’s an instrumental to boot, so farewell, sweet tram of coolness.
“Death Trip 21” by Irish rockers Ash is the huge, crazed monster that swipes Electrelane’s tram off its tracks with one bat of its huge paw. Making great use of an evil-sounding shrieking siren sample that the Chemical Bros. also used at least once, this one is not an instrumental, but none of the lyrics make that crucial distinction between Death Trip 21 and how it differs from Death Trip 14 or 37. It’s arbitrary and this list eschews arbitrary. 50 Cent’s “Twenty One Questions” is numerically accurate and reaches pure poetry with the line, “I love you like a fat kid love cake,” but it’s just a little too pimp-centric to speak to the universality of the 21 experience.
Spanning the ‘70s, ‘80s, and ‘90s, the Eagles, the Alarm, and cranky Irish couch sitters the Cranberries all had songs called “21,” while the regrettable U.S. outfit Marry Me Jane got all contrary with “I’m Not 21,” which I must confess, once played in my head on a snowy birthday night, as I scurried along St. Mark’s Place to retrieve something of critical importance from my Astor Place apartment. With snow and beer pixelating my senses, the song’s melancholy melody seemed the perfect soundtrack for both my ill-advised excursion and for turning a year older, yet now I cringe to think of it, even as I gain a certain peace in divulging the episode. A pair of lesser known, first-wave English punk bands also weigh in on 21: The Adverts give us “No Time to Be 21,” which offers the cheery assessment, “No chances/no plans/I think I’ll be somebody else/or else a madman” and “We’re 21 Today” by Toy Dolls, which doesn’t even last 21 seconds. Modern-day punks the Paddingtons charted in the UK with the snide and sassy “21,” while Bobby Conn, a Chicago native and a member of the exclusive ex-convict school of rock (see Leadbelly, Johnny Cash, et al) offers up some sweet, brass-tinged porno funk in his song named for today’s numeral.
“Just Twenty One,” by Scottish prog rock outfit Beggar’s Opera, is what happens when young guys in the early ‘70s—moved to make the complex arty music of their heroes—utterly fail. It takes a certain level of skill to make progressive rock lyrics work, and Beggar’s Opera ensured that they would never make it to the next celestial stratosphere with earthbound lyrics like, “There’s a woman/looks like over 30/But she’s just 21/Aint that a pity?” The song’s raunchy Zappa-esque groove is similarly at odds with the spacey, drum-less excursion in the middle, which is really the only proggy thing about it. Listening to this track gave me a renewed respect for classic prog rock’s fine lyrical tradition, a tradition that tells that mountains do occasionally come out of the sky, and they stand there. But only if you really listen. Also from the ‘70s comes Marc Bolan’s “21st Century,” which is no “20th Century Boy,” and King Crimson’s party favorite, “21st Century Schizoid Man.” And lest we forget, just last year the Red Hot Chlli Peppers made their own “21st Century.”
We can thank our lucky stars that there is indeed a 21 song that is solid in every respect and makes sense on every level. It was released the same year as “Mr. Twenty-One” by the Orlons, a sort of “16 Candles” sung for a 21-year-old who is now old enough to get hitched. But to the singer of the 21-slot winner, turning 21 has far less virtuous implications than the Orlons song. Which is how it should be, for what does turning 21 signify? Adulthood. And what does adulthood signify? That’s right. Sex. What song by a classic group says, “21 is when I get to do what I want, with whom I want, whenever I want?” That would be “Twenty One” by the Shirelles.
As if they needed any greater testament to their rock & roll bona fides, the Shirelles, a quartet of young women who in the early ‘60s made hits out of songs by a young Burt Bacharach and the great Goffin-King, among others, were a favorite of the Beatles, who covered the Shirelles twice on their first LP, with “Boys” and “Baby It’s You.”
It’s true that women don’t generally save themselves until they reach 21 anymore, but there’s something about the undisguised desires being expressed herein that render this song timeless. Anyway, all you have to do is substitute a much lower number for 21 for “Twenty-One,” which was released in 1961, to make 21st century sense. True to its era, the song’s final verse tamps down the air of sexual excitement —the singer imagines having a daughter and telling her she must also wait till she’s 21—but the overriding sentiment is the one packed into the first verses, namely, When I’m 21, I’m gonna have some grown-up fun. And I can’t wait.
Can’t go steady, can’t even have a date/21How in the world will I ever find a mate?/21
One of these days I’ll be 21
Look out boys, here I come
Wo wo wo wo wo
21.
Numerology is our pal Dave's ill advised quest to find the definitive song for every number from one to a hundred. The plague of self absorbed twenty-something songwriters should see him through for now, but there are rough times ahead.
Previously: No. 1, 2-4, 5-7, 7 (counterpoint), 8, 9, 10/11, 12/13. 13 (counterpoint), 14/15, 16, 17, 18, 19, 20
Posted by Jeff Klingman at June 28, 2007 10:25 AM
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Comments
Ahhh, not even a passing dismissive reference to 21-Guitar Salute by Dropkick Murphys. For shame, sir, for shame.
It is impossible to praise the Shirelles too highly, I believe. So, although I am bitterly disappointed that my favorite bombastic Boston Oirish punque band was dissed (despite my early and eager advocacy), I am SOMEWHAT mollified by the choice of the SHirelles to represent this great number.
And since you have so much time on your hands, why not throw together a selection of worthy prog-rock lyrical tidbits for us to chew over?
Love,
bulletholejonny
Posted by: bulletholejonny at June 28, 2007 12:05 PM
A thousand shamrock-hued apologies, Jonny. I assure you it was just brainlock, and not because I figured I'd reached my Irish quota with Ash and the Cranberries. Let it be loudly proclaimed, "21-Guitar Salute" by Oirish punque band the Dropkick Murphys stands tall on 21 Mountain, tattooed legs firmly planted, chin jutted out, sporting muttonchops the size of rearview mirrors, and blaring proudly.
Posted by: david at June 28, 2007 03:03 PM
I really wanted to counterpoint with “Tram 21” by Electrelane... but like you said - Out of Criteria. Still pretty great if you lift the wool of numerology regulations from your eyes.
Posted by: Sebastian at June 28, 2007 04:14 PM
Gosh, from looking at that photo, it's really tough to tell who was going to be that show's breakout star, isn't it?
Posted by: Jeff K at June 28, 2007 04:22 PM
Not even a passing dismissive reference to "Retired at 21" by Black Flag? I'll admit that they weren't in the same league as the Shirelles, but at least they weren't Oirish punques.
Posted by: Magister Ludicrous at June 28, 2007 04:27 PM
From the comments above it looks like you really just have it out for the punks huh? Bad Religions "respectful parody" of King Crimson with "21st Century (Digital Boy)" is nowhere to be found here amonst your candidates?
That being said I guess I shouldn't even bring up the cover "21st Century (Digital Girl) by Groove Coverage.
Posted by: doctashock at June 30, 2007 01:48 AM
Docta,
even with the best of intentions and mucho time spent obsessing on the subject, things still slip through the cracks. I try to be thorough but cannot manage encyclopedic. You should definitely bring up the Groove Coverage cover that I had no idea existed, as well as anything else I miss that you deem critical. In doing so, you aid me in my attempt to be thorough. And it's not that I have it in for the punks, I just think that a lot of punk songs don't hold up that well as "songs" as compared with other eras, and this list is about finding the best song for every number.
Posted by: david at June 30, 2007 08:04 PM


